This is an archived page from the Website Archive of British artist Ellie Harrison from Version 3.0 (active 2008 - 2015). New website: www.ellieharrison.com

last updated
15th July 2015

In summer 2015 Ellie Harrison is redesigning www.ellieharrison.com in collaboration with web designer Neil Scott. In preparation she has created an online archive of the three key previous versions of her website, where details of her oldest projects can be found:

Version 3.0 (active 2008 - 2015)

Designed by Stuart Fowler in collaboration with Ellie Harrison in summer 2008 as an extensive online archive of all her previous work: both internet and gallery based projects, as well as a thorough press archive dating back to 2002. The launch of this website marked a significant shift in her practice, as she embarked on the Master of Fine Art programme at Glasgow School of Art. It was updated regularly with details of all her new work over the next seven years.

Version 2.0 (active 2003 - 2008)

Designed by Ellie Harrison in June 2003 at the end of her time studying on the Postgraduate Diploma in Fine Art course at Goldsmiths College in London. This website was updated regularly for the next five years in which she undertook most of her well-known ‘data collecting’ projects, including: the Daily Quantification Records, Sneezes 2003, Swear Box 2005, the Daily Data Display Wall and the Daily Data Display Room.

Version 1.0 (active 2001 - 2003)

Designed by Ellie Harrison through a series of incremental modifications between 2001 - 2002, as her online portfolio as a new Fine Art graduate. This website links to the original Eat 22 website, which was updated on a weekly basis for the duration of the project (11 March 2001 - 11 March 2002) and superseded by the new Eat 22 website (www.eat22.com) in June 2007.

Version 0.0 (launched 2000)

Designed in February 2000 by Ellie Harrison whilst studying on the BA (Hons) Fine Art course at Nottingham Trent University, this micro wesbite was one of the outcomes of the ‘Digital Futures’ elective led by Iain Simons.


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